Yellow has a pretty good reputation


  • Streaming + Download

    Pre-order of Yellow has a pretty good reputation. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases June 19, 2020

      $7 USD  or more


I’m not really a songwriter Like I used to be Playing keys in the Nutty Nut Nerds seems to be my peek At least I was present At least I felt there I remember choosing three notes Randomly Driving in my car, I woke up Half asleep Living in a fog-land Hard to lock eyes Talk about dissociative disorders On the couch Tally your mental health Rate the questions from 1 to 10 Do you ever feel you can’t Keep up with the conversation? Do you ever watch yourself walk around In a dream? I’m afraid of losing you I’m afraid of losing you I’m afraid of losing you


This EP explores dissociation, loss, and the quest for self-love. Working with sound artist Ryan Albert, we used tape recordings as a way to manipulate voice and instrumentation. To highlight a sense of detachment from the day-to-day, the slow, slightly lower drawl of the voice represents what it feels like to be in a state of persistent, mild delirium.

The saturated, tape distorted quality of the recordings evokes a sense of nostalgia, while also separating listener from original sound, the same way someone experiencing dissociation and loss is separated from regularity. In this way, the main inspiration for this EP is to capture a realization of warped reality; fragmented, but still conscious, the lyrics examine difficult feelings.


releases June 19, 2020

Recorded and mixed by Ryan Albert

Produced by Ryan Albert and Maya Bon

Mastered by Greg Obis of Chicago Mastering Service

Moonlight Sonata played by Phil Fisher

Album artwork by Lauren Bon


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BABEHOVEN Los Angeles, California

Babehoven is fronted by Los Angeles songwriter Maya Bon. She uses her songwriting as a way to process the struggles of daily existence, of familial trauma, of the processes of letting go. Her music is lyrically driven, but held together by intentionally minimalistic chord progressions. ... more

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